![]() As well as for instructions from the artist himself to place the work of art. The buyer took home an invisible sculpture and a certificate of authenticity. However, as the auction progressed, the buyers raised its value to 15,000 euros. Initially, the auction house Art-Rite had valued the work between 6,000 and 9,000 euros. According to Garau himself, the sculpture is constructed of “air and spirit,” so it could not be said to be mere ‘nothing,’ since “emptiness is space full of energy.” In this sense, his work, rather than the banal non-existence of matter, is “energy that is condensed and transformed into particles. The work titled Io sono (I am) is immaterial. ![]() The 67-year-old Italian artist has just achieved what no artist has ever achieved before, he sold an invisible sculpture for 15 thousand euros (about 18 thousand dollars). ![]() But after a history of works loved by many and rejected by many others, conceptual art has now reached its peak thanks to Salvatore Garau. This is the concept behind the work of Italian artist Salvatore Garau, except that he has auctioned his prized invisible sculpture for $18,000.įor as long as conceptual art has existed, its essence has flooded the minds of critics who question whether what is appreciated is really the art and has caused controversy across the globe. Now it’s time to open your eyes (hypothetically, of course), the sculpture is simply gone, and it’s not that it doesn’t exist, you saw it yourself, the point is that it is invisible. The shapes are determined by your mind, what do you see, is it a person, an animal, or something indescribable? Whatever the result, it is beautiful and floods your senses with a sense of tranquility. ![]() Close your eyes and imagine that in front of you is now placed a spectacular sculpture, with beautiful textures and the colors that you like the most. Here's a video of the Buddha in Contemplation sculpture, which, to our untrained artistic eyes, bares a suspiciously similar resemblance to Lo Sono.Let’s do an imagination exercise. The effort, evidenced by an empty white circle, was supported by the Italian Cultural Institute. Meanwhile, this week, he installed AFRODITE CRIES in front of the New York City stock exchange. In February of this year, at the Piazza Della Scala in Milan, the artist exhibited BUDDHA IN CONTEMPLATION, a similarly invisible sculpture demarcated by a square of tape on a cobble-stoned walkway. Lo Sono isn’t the only artwork of its kind in Garau’s oeuvre. Already in the black paintings of '84 and in the others later, black colour dissolved in a sort of ectoplasm, indefinite amoebic presences, so that I wanted to make visible thought of non-existent space.Īccording to, Lo Sono is not the first invisible sculpture that Garau has created: Into the void there is a container of positive and negative possibilities that are constantly equivalent, in short, there is a density of events.įurthermore, the void is nothing more than a space full of energy, even if we empty it of electromagnetic fields, neutrinos, dark matter - in a way that nothing remains - it stands out that according to the Heisenberg uncertainty principle (which I recently read with enthusiasm) nothing has a weight! Therefore, it has an energy that condenses and turns into particles, in short, in us! The abstract and spiritual intuition I had as an artist is then supported by science.Ĭould you tell us about the creative process that led you to conceive the “Absences”?įor a long time, I have been attracted to what is perceived not only with the eyes but with all the senses. The intangible sculptures are works that I feel as physical. My fantasy, trained for a lifetime to feel differently the existing around me, allows me to ‘see’ what apparently does not exist. Rather than invisible sculptures, I would define them as immaterial sculptures. The “Invisible Sculptures”, what they are? Garau said in an interview with the auction house (translated via Google):
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